Die Macht der Liebe
Tonkunstler Orchestra · Xavier de Maistre · Fabien Gabel
STRAUSS / RODRIGO / MASSENET / RAVEL
Cast
- Orchester Tonkünstler-Orchester Niederösterreich
- Harfe Xavier de Maistre
- Dirigent Fabien Gabel
Programm
- 00:03:00 Johann Strauss
- 00:20:00 Joaquín Rodrigo
- - Pause -
- 00:20:00 Jules Massenet
- 00:16:00 Maurice Ravel
Supporting programs
Bustransfer
The Power of LoveSold out
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Bad weather alternatives 2025
With the renovations of the historic Reitschule in 2025, the following changes will occur for the supporting programme such as introductions and preludes as well as for the bad weather alternatives in categories 7 and 8 (lawn seating):
Unfortunately, due to resource constraints, there is no bad weather option available for categories 7 and 8 (lawn seating) for the evening concert during the Summer Sounds. In the event of bad weather conditions, customers in these categories will be refunded the purchase price in accordance with the General Terms and Conditions (only available in German).
Discounts
Tickets at shop.raiffeisenbank.at and in all Raiffeisen banks with oeticket sales in Lower Austria and Vienna with up to 10 % discount for Raiffeisen account holders.
Anyone under the age of 26 receives a 50 % discount on the ticket price (available online or in the box offices).
With a valid disability card you receive a 50 % discount, a registered accompanying person can attend the concert free of charge (only bookable in the box offices).
Members of the NÖN Abo Club receive a 10 % discount on two tickets per subscription.
Description
In the final «Summer Sounds» concert, the Tonkunstler Orchestra, Xavier de Maistre on the harp and Fabien Gabel look to the south-west of Europe: The little-known «Spanish March» by Johann Strauss opens an evening on the Iberian Peninsula full of voluptuous cantilenas and explosive rhythms. Rodrigo’s «Concierto de Aranjuez» in a version for harp and orchestra oscillates between sun and shadow. But just like Jules Massenet’s opera «Le Cid», the «Summer Sounds» season ends happily, with Maurice Ravel’s fantastical and ecstatic «Boléro», whose charisma and popularity once induced the composer to make the sardonic comment that it was his «only masterpiece», just one that «unfortunately doesn’t contain any music».
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